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"...But is it a personal reminiscence, a documentary, an essay film, a fictional recreation, a lyrical abstraction, or a dance/performance piece? It works through — as is often the case in Dwoskin’s feature-length pieces—a series of self-contained tableaux, each one starkly set against those surrounding it, and each drawing upon a very different style of cinematic representation..."
ADRIAN MARTIN
















Behindert, Stephen Dwoskin, 1974

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