Unlike Dada, Constructivism did not attack or subvert art, but extended it in new directions through experimentation and the exploration of new technologies. Constructivists embraced the machine as a means for creating art, and were excited by the mechanical production process that had the potential to reproduce images on a mass scale.
— Petra Kayser
1926, Alexandra Exter's setting for Pantomime Espagnole, Kamerny Theatre.
1927, Alexandra Exter's constructivist setting for Othello
Spellbound, Hitchcock, 1945
O Gabinete do Dr. Caligari, Robert Wiene, 1920
Algol, Hans Werckmeister, 1920
Aelita Queen of Mars, Yakov Protazanov, 1924
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